A Time, a Place, Our Gaze: Re-framing the Subaltern Panel Discussion

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Alt text: Exhibition poster titled “A Time, a Place, Our Gaze: Re-framing the Subaltern,” curated by Kenneth Scott. The poster features a sepia-toned historical photograph of three well-dressed Black adults standing outdoors on a city street in the early twentieth century, with buildings in the background. Below the image are event details for the exhibition at 50 Arrow Gallery in Easthampton, Massachusetts, including dates January 29 to April 12, 2026, reception and panel discussion information, and partner logos for Slavery North, 50 Arrow Gallery, University of Massachusetts Amherst, and the Mellon Foundation.

A Time, a Place, Our Gaze: Re-framing the Subaltern
Curated by Kenneth Scott

Exhibition Dates: January 29 – April 12, 2026
Location: 50 Arrow Gallery, Eastworks, 116 Pleasant Street, Suite 136, Easthampton, MA 01027
Free and open to the public

Panel Discussion with the Curator: Thursday, February 26, 2026, 5–7 PM

Gallery Hours: Tuesday through Saturday, 10 AM to 6 PM; Sunday, 10 AM to 2 PM
Free parking available on site

About the Exhibition

A Time, a Place, Our Gaze: Re-framing the Subaltern presents a collection of rare twentieth-century portraits, snapshots, and vernacular photographs of Black people in Saint John, New Brunswick, Canada. Curated by Kenneth Scott, the exhibition centers everyday images that complicate and expand dominant narratives of Black life in the Atlantic world.

These photographs are not studio abstractions or distant ethnographic documents. They are personal, grounded, and often intimate records of community, family, labor, celebration, and presence. By bringing these images into a contemporary gallery context, the exhibition invites viewers to reconsider who is seen, how they are seen, and who has historically controlled the frame.

Re-framing the subaltern is not simply about recovery. It is about attention. It is about recognizing the agency embedded in ordinary photographs and the quiet power of self-representation. The works ask us to slow down and look closely, to consider the politics of the gaze, and to understand photography as both archive and living testimony.

About the Curator

Kenneth Scott’s work engages histories of Black life in Atlantic Canada, with a focus on visual culture, memory, and archival practice. Through careful research and curation, Scott foregrounds materials that have often been overlooked, reframing them within broader conversations about race, representation, and historical record.

Partners

This exhibition is presented in partnership with Slavery North and the University of Massachusetts Amherst, with support from the Mellon Foundation.

More Information

For additional details, visit slaverynorth.com/event/kenneth-scott or contact rcornellier@umass.edu.

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